Tuesday, August 11, 2009

Oscar's Biggest Snubs


Hollywood's hottest will gather for the 80th Annual Academy Awards on Sunday. Whoever gets the Oscars, you can bet that fans of unrewarded flicks will argue that Academy voters ignored a classic work of art. And it won't be the first time.

Arguments over Oscar-winning movies are endless (Patton: modern masterpiece or inconsequential piece of fluff?). But it is inarguable that many enduring classics were sadly overlooked by the Academy voters of their day. So today, KnowledgeNews honors the dishonored with our list of the Top 5 Most Snubbed Motion Pictures, Oscars Edition.

1. Citizen Kane (1941)

The Academy Awards celebrate artistry in motion pictures, but you'd never have guessed that on Oscar Night 1942, when How Green Was My Valley beat Citizen Kane for best picture. Orson Welles's difficult masterpiece garnered nominations aplenty: best picture, best actor, best director, and more. But at the end of the day, the only award the film received was for best original screenplay. Welles's consolation was that later generations would celebrate Kane as perhaps the greatest motion picture of all time.

2. Chinatown (1974)

If you think that being nominated for an Oscar is what's important, then Roman Polanski's seminal detective drama--starring Jack Nicholson with a band-aid on his schnoz--did just fine. It was nominated for 11 awards, including best picture, best actor and actress, and best director. Luckily, it was also nominated for best screenplay, because that was the only award it won. The Godfather Part II was also in the running that year, and Chinatown couldn't keep pace.

3. Double Indemnity (1944)

Billy Wilder would have been happy to share Polanski's fate. His film--which many call the greatest of all film noirs--was also nominated for many awards, including best picture, best actress, and best director. But it didn't win even one. The alleged best picture this time out was Going My Way, a feel-good musical starring Bing Crosby as the new priest in a troubled Catholic parish. Perhaps wartime America found it easier to celebrate sentiment over cynicism. A month after the awards ceremony, Allied forces took Berlin.

4. Singin' in the Rain (1952)

Jealousy is an ugly emotion, but you could probably forgive co-directors Gene Kelly and Stanley Donen if they were a touch bitter after seeing their picture--arguably the best musical of all time--receive just two nominations (for best supporting actress and best musical score) and no awards. A Cecil B. DeMille circus extravaganza, The Greatest Show on Earth, somehow managed to bag the award for best picture that year, while classics like Singin' in the Rain, High Noon, and The Quiet Man went down to defeat.

5. Some Like It Hot (1959)

Is winning that much better than losing if all you can win is a relatively trivial award? Billy Wilder's manic comedy garnered some respectable nominations (like best actor, best director, and best screenplay), but all it won was the award for best costume design. Apparently, Jack Lemmon really looked good in that dress. The big winner that year was Ben-Hur, meaning that the Academy thought a costume drama was better than Some Like It Hot in everything except costumes.


Special Lifetime Snub Award

And the special Lifetime Snub Award goes to . . .

Alfred Hitchcock.

In his day, Hitchcock was dismissed as an intellectual lightweight, pandering to the public in a series of shallow suspense films. The Academy was at the forefront of the anti-Hitch movement and bestowed a grand total of zero awards on three of his best films: Rear Window (1954), North By Northwest (1959), and Psycho (1960).

It's true: Hitchcock gave the people what they wanted--and what they wanted were stylish, intelligent, well-made movies with strong characters and an absorbing story. Not surprisingly, Hitchcock's movies have survived the test of time, while his more-honored contemporaries have fallen into obscurity. So when you watch this year's Academy Awards, keep one thing in mind: today's Oscar also-rans might prove to be tomorrow's timeless classics.


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